Showing posts with label graffiti. Show all posts
Showing posts with label graffiti. Show all posts

6.08.2009

BANKSY - "Let Them Eat Crack"

This is an older story but I love the bomb!



Urban art legend Banksy – at least we think it’s him – offers up his take on the recent finance fiasco. Trust him to say it how it is. Banksy goes to great lengths to ensure he is never caught on camera and few people know what he really looks like, so the photographer, Sabeth, has done well to catch him in the act.



Banksy has been in New York recently promoting his new animatronic pet store exhibition, featuring living Chicken McNuggets, swimming fish-sticks, and nuzzling hot dogs. Giant murals tying in with the show are popping up all over the Big Apple. Here’s a little morsel of his new works:

5.20.2009

CLAW Money - Women's OG Of Streetwear

“I AM RESPONSIBLE FOR TRENDS YOU SEE JUST EMERGING NOW- THAT I HAVE BEEN REPPING FOR LONGER THAN I CAN REMEMBER!" CLAW MONEY

Graff girl Claw Money was profiled in the two-part feature Girls on The Street in Issue 16 of the print mag. With roots in the art scene, Claw cruised into fashion putting her trademark throw up on everything from Tee’s to Sunnies.



Start by telling me who you are and how you roll?

I’m Claw Money, watch and learn bitches. I am sporty at 40, from Fresh Meadows, Queens NYC and I now reside way, way uptown! I guess graffiti propelled me into the spotlight, but I have been around forever.

How did you get your start in fashion and what led you to do your own label?

I have been working in fashion for over twenty years; I always knew I would be in this business. I have the nose for clothes! I’ve worked as a designer, stylist, costumer, fashion editor, brand consultant – I did all of this before designing and owning my own label. When you buy Claw Money, you get all this expertise! I am responsible for trends you see just emerging now- that I have been repping for longer than I can remember! I think that finally I just had to sign my products to finally get the credit due.

Historically girls streetwear labels haven’t been as popular as they are now. Did the lack of choice in the market play any role in your creating your own label?

When I started my line there was no one doing anything cool for chicks. Now we are over saturated with female brands catering to the growing, and once non-existing new women’s market. But they are not Claw Money. I think it’s a good thing because it creates a market place for our category of clothing and I no longer stand alone in the store!

So what’s Claw Moneys history? Tell me the story.

I put my first Claw on a tee-shirt at the request of friends right after 9/11. I did it as a goof, just to do it, but the demand grew. The stores couldn't keep them in stock and I thought: "I could really make a go of this!"

There's just no other brand with a point of view like mine, and I began to realize that people were interested in my vantage point.

My first collection was in 2002, now it’s 2009- seven years going strong. I do three collections a year so Spring 2009 will be my 21st collection! Holler!

Where does your inspiration come from when you’re designing? Do you scour the streets, or markets, or magazines or do you just dream?

Everything and everyone inspires me...the homeless man wearing a cool, weird hat, the little baby wearing a crazy, printed blanket, and of course the fabulous people who walk around with fancy clothing on. Nature and art influence me too – it is hard to say something does not.

What’s up for your next collection?

The brand is about morphing my claw into unexpected applications. This collection is all about fun and being in your face – the same as all the others, but with a modern twist.

What has been your fave piece you’ve ever made?

I get sick of stuff so easily, as soon as it catches on – I am on to the next thing. I love all the stuff I do, so I have no favorites! I love that I help mold this industry and have made a viable avenue for women in this market.

Do you see your label still producing rags in 5 years? Or do you think your current success is a product of the present wave and popularity of womens street wear?

I was here before it was a trend and will be here when it ends. My brand is not confined to streetwear. I make artist products and that will never change. I have about ten different jobs, some bring in money and some bring in none. I really like to do different things. Today I might be making clothes and two years from now I might start making furniture – or designing house wares. I consider my life a journey of artistic endeavors and am luckily to have a fan base that wants my products, whatever they might be... so stay tuned!

How do you handle the demanding timetable of being an international fashion designer? Is it all that you expected it to be?

My life is exhausting. I am preparing for a big art show this summer. There are not enough hours in the day for all that I do. I need a clone, and fast! I have always been a hard worker so this is not new to me. I am an OG.

What’s your fave part about designing as well as your most hated?

Favorite part is actually making something awesome and most hated is paying for production! Being an indie brand keeps you broke! Fun but broke.

What do you see as street fashions most pressing issue moving forward?

Too many wack brands popping up and flooding the streets with eyesores.

Do you think that the competition is thick out there? Do you not look at what others are doing?

What competition? There are other brands but they are not Claw Money, don’t get it twisted. This is the real deal, not a marketing strategy. I might be the only “female” brand that makes clothes for dudes too!

How do you measure your own success? Runway shows, a sell out collection, international press or just seeing your threads on a missy on the street?

I experience all those things on a daily basis but they are just part of the job.

I say do what you love and let the rest follow. Do it to do it and not to make money. When you are doing something just for financial gain (particularly in street art right now) it smacks of fraudulence. If someone had told me fifteen years ago that I would make a living off my graffiti throw up, I would have laughed in their face. My attitude was like: "I do this because that's what I do." Now the world is a different place. When I started there was a small female voice - in both graff and streetwear, that voice is getting louder and I am continuing to carry that torch.

There was a bit of a hiatus of fresh womens labels prior to ‘06. Comment? Historically, what brands were you into before this nu wave of female street wear hit the racks?

I guess I am not up on it. I live in a bubble. I think there is room for everyone and hope that more girls will feel inspired to do it themselves. Ladies stand up.

What other brands are you into? Is there any particular labels that you think are creating particularly dope threads right now?

Fashion is kind of boring right now. This recession is killing creativity! I love so many brands – too many to name! Some are Jeremy Scott, Brian Litchenberg, Cassette Playa – the trend setters.

What’s your personal definition of style? What makes you turn your head on the street when you see a hot girl or guy?

Style is something that is natural and not contrived. You can buy all the latest fashion in the land but still have no style. My style is downtown trying to CLAW uptown! Ghetto meets Couture, Dirty vs Clean, Expensive vs Cheap. Funny, loud and pretty all at once!

Do you have a particular affinity for colour, or fabric, or cut? Were you college trained or self taught?

I love color, the brighter the better. Why would you want to blend in and look like the rest? I love natural fabrics such as cotton, linen and wool. Cuts change as often as fashion does. And I might change my mind about all this later!

I am a fashion college drop out and was raised on the street by wolves! I learned by working, watching and being mentored by some very talented people. I have been working for a long time and I am no kid - but still feel like one. I am too young to be old and too old to be young – shit!

What sort of clothes did you wear as a kid? And who in the world would you most like to dress?

My parents were not into fashion at all. They forced me to wear things I didn’t like which turned me into a fashion junkie. Coveting things I would never have and obsessing over them. When I started making my own money I had to have everything that my heart desired. Now I have all these things and could really care less. They were right all along. It’s just stuff!

As Claw Money go from strength to strength make sure you keep ahead of the 8 ball on their movements by bookmarking their website clawmoney.com. They also have a blog titled blogue which stays fresh on the daily.


5.15.2009

Call Him Ishmael - City Gallery

Ten years ago, the painter known as Ishmael was doing graffiti style art with his real name. He began to feel that this was egotistical and decided to switch things up.

He read the novel "Ishmael" by Daniel Quinn and it changed his life. He began to use Ishmael as his tag and gradually took on the name as his identity as an artist. He wanted to promote the book that had changed his life while letting the book promote him at the same time.

The novel, which revolves around such themes as the human condition, man's treatment of man and of the earth, and sustainability, was a stepping stone for him and he believes that it opened his eyes to a new world. Likening this life changing experience to taking "the pill" in The Matrix, he didn't really get all the answers, but he was sent spiraling into a new mission, to open his eyes and the eyes of everyone around him to what was really happening in the world.

Over the past few years, Ishmael has changed his style with each show. Coming from a graffiti background, he started his artistic career tagging abandoned buildings and trains in Asheville, N.C. He then moved into the fine art arena with graphic paintings that he describes as "wormholes." The style was much more fluid and feminine than the hard-edged graffiti of his past.

With his upcoming show at City Gallery, he has transformed his style once again, combining the graffiti style with the wormholes in a way that he feels makes him whole as an artist. It is a combination of the two styles that really represent Ishmael as an artist. He is very conscious of the location of his shows and attempts to do something special for each locale.

"For the show at City Gallery, I am bringing more of the graffiti style, it is a little more street, because it's such an established gallery. If it were more of a street, or underground, gallery, it would be more fine art based. I try to do the unexpected for every particular place. Every location dictates what the art should look like so I try to do the unexpected," he said.

Ishmael's artistic drive is to change the status quo of the Charleston art scene. He believes that Charleston is different than Asheville because people are hungrier here. They are ready for a change in terms of artistic exploration. There is an extra energy to push out different work because he believes that the young artists of today are fighting against an oppressive regime. It is a movement that he believes is working.

Check out Ishmael's new work at the Piccolo Spoleto Festival exhibition, Contemporary Charleston 2009: Revelation of Process. The show features work by Ishmael, Jonathan Brilliant, Karin Olah, Dorothy Netherland and Benjamin Timpson. The show opens May 15 with an artist's reception 6-8 p.m. The event is free and open to the public.

The City Gallery is at 34 Prioleau St. in downtown Charleston. Hours are 11 a.m.-6 p.m. Tuesday-Friday and noon-5 p.m. Saturday and Sunday. For more information, call at 958-6484 or e-mail CityGallery@ci.charleston.sc.us.


'Remember when we battle without guns' by Ishmael.

4.10.2009

WALLS



Check out this creative new book a collection with images of clean prospective walls to tag, graffiti and write up on. We guess it’s a safer, less vandalizing way to write your thoughts and design expressions.